ok so, Red Bull Shoot to Thrill like I said earlier is a 72 hour film project with 10 teams from 10 cities across the country. What I didn't mention before is that there is a digital entry as well. Teams doing digital movies only had 72 hours to film, edit and submit the project. Where as the 16mm entries were giving a limit of 10 rolls of film and 72 hours to film and a week to edit and submit the final project. I love digital but I want to focus on the film portion of this spectacular project, it's more raw, and since I recently got a sweet 16mm cam im stocked on it. That and the edition of Colour I'm reading is specialy devoted to the whole event and is my main source of info, it also focuses on the film submissions.
What was your concept?
Reflections, for every single shot, in glass, water, chromed objects, mirrors...so that made everything complicated of course.
interview with Director Fred Mortagne by Jay Revell, Color Magazine
This is my favorite,
Team Vancouver
Filmer/Director — | French Fred Mortagne |
Photographer — | Dylan Doubt |
Skaters — | Rick McCrank Sponsored by: Girl, Thunder, Momentum, eS, Matix, Antisocial, Bones |
— | Bradley Sheppard Sponsored by: Emerica |
— | Torey Goodall Sponsored by: Livestock, Emerica |
I think it's awesome! Get Stoked!
Here is a teaser for the winner of the contest, the Grizzles from Surrey, BC.
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